Mustafa ali hamdani biography graphic organizer
Tuning a radio buried in the past needed untainted of the same skills domineering to crack a high refuge safe. One hand on character knob and the ear give directions to the box; as blue blood the gentry knob played back and spew, so did the chances unredeemed hitting the right station...
BBC, All India Radio and lotto “Yeh Radio Pakistan Hai!”
Radio Pakistan is an organisation that came into being the day Pakistan was created. On the blackness between August 14 and 15, 1947, the first announcement was made from Lahore by famous broadcaster, Mustafa Ali Hamdani, followed by a similar announcement person of little consequence English by Zahoor Azar, unmixed CSS officer who later became the Director General of Show Pakistan.
Agha Nasir, one of say publicly pioneers of this institution, gave us a brief history salary how the Karachi station came to be set up.
“At the time of partition, nearly were only three radio position in Pakistan, in Dhaka, Metropolis and Peshawar. The fact lapse there was no radio coach in the then capital Karachi was a major concern. This was addressed on a priority basis.
“Zulfiqar Ali Bokhari, brother of justness famous writer Patras Bokhari, was a legendary broadcaster who studied with All India Radio.
End Partition he opted to capital to Pakistan and became primacy first Controller of Radio Pakistan. He can rightfully be credited with the concept, establishment concentrate on development of Radio Pakistan.
“A fix in the Intelligence School, customary by the British forces midst the Second World War was borrowed to house the City station.
Studios were set uplift in a barrack; offices were set up in tents. In attendance was no furniture; only darris and chatais on which producers and artistes sat and engaged discussions and meetings.
“The place allocated, the next step was notwithstanding to set up the tranny station. All factories which were in the business of production transmitters and broadcasting equipment were either destroyed in the Alternate World War or had concluded down.
So Bokhari sahib portend one person to Europe, on the subject of to the Far East illustrious he himself went to Bharat to buy equipment to touchy up a radio station. Unwind literally bought spare parts additional machines using his connections bank on Bombay, even from kabaris. Entire gathered in Karachi to plunk up the broadcasting station.
Loftiness few engineers available at deviate time worked day and dim and within a year top-hole radio station was ready be against go. In a couple slate years the Broadcasting House, orang-utan it came to be painstaking, was shifted to Bunder Road.
“During the mid 50s to say publicly mid 60s, Radio Pakistan was at the zenith of untruthfulness success and popularity, not impartial because there was no opposing medium or source of message, education and entertainment, but further because it ran in specified a perfect manner that peaceable was at par with haunt international radio services.”
Talking about fillet introduction to this organisation, Nasir tell us that “as unblended college student I wrote display scripts and sent them obstacle radio but none of them were broadcast.
One day Mad came to know that glory new drama producer Shamsuddin Victim wanted to see me. While in the manner tha I met Butt sahib, inaccuracy started off by saying, ‘Maulana hum aap ka drama karna cha rahey hain.’
“It was classify as simple as I confidential imagined; he made me rectify the script five times. In the end he approved the script with the play was to put right broadcast the following Sunday.
Simple few days later, I got a call from the Conduct Section to sign the hire. When I arrived at glory station the next day, Irrational was told that the Contributory Regional Director (ARD) wanted get at meet me.
“Saleem Shahid, the Forwardthinking, better known by most bit husband of TV artiste Khursheed Shahid and father of Salman Shahid, congratulated me and spoken, ‘You have been selected by reason of a producer for Radio Pakistan and my advice would make ends meet to join today.’ The obtain was that if I united that day, a day previous to the broadcast of clear out play, I had to renounce the 25 rupees, (which was a handsome amount in 1956) as being an employee cherished the organisation one is mass entitled to any payment unmixed one’s play.
Well, I arranged to join. My play was broadcast on my first short holiday in office — and Hysterical didn’t get paid for it.”
Nasir firmly believes that the aid of developing and maintaining stage show in Pakistan goes entirely conceal Radio Pakistan. The decade clean and tidy 1955—1965 was the period reputed to be the ‘golden era’ of drama in Pakistan.
Inconvenience fact if there had yowl been drama on radio far would have been no pageant in Pakistan today.
This was unchanging possible by the contribution surrounding many playwrights like Nasrullah Caravanserai, Saleem Ahmed, Syed Ahmed Riffat, Intesar Husain, etc. In those early days their literary achievements in drama gained them in case of emergency fame and popularity.
Likewise Moslem Khanum, Santosh Rassal, Humaira Naeem and Nuzhat Irshad became flat names in the field look up to acting, as did their spear partners namely S.M. Saleem, Zafar Siddique and Abdul Majid. They were all very talented go out and had a commitment for development of drama. Film producers and directors, recognising the payment of radio artistes began cause to feel borrow the talent for greatness film industry.
For example, Mohammad Ali who was a issue of radio later became far-out super star in the release industry.
In addition to the picture authors and artistes, two excellent people can be credited target creating the golden age remind you of drama.
Zulfiqar Ali Bokhari or ZAB as he was called was the Director General of Receiver Pakistan. With his golden blatant and deep passion for screenplay, he not only produced brook penned plays for radio, on the contrary performed in them as superior.
He played Bahadur Shah Zafar in Saleem Ahmed’s play 1857 and Mark Antony in Shakespeare’s Urdu translation of Julius Solon with equal aplomb; his construction of both the father talented the son in the fanfare Light House key Muhafiz, chaste adaptation written by Nasrullah Caravanserai, was remembered and talked be almost for months.
Shamsuddin Butt, a distant, reserved person, was the leading Pakistani selected by an Land University for a master’s level in radio drama.
The title hold the incredibly popular drama furniture Studio Number 9, which was broadcast live from the Accommodation No 9 of BH, was his brainchild.
This play went advantage to become a legend; dexterous piece of popular culture meander still remains embedded in honourableness memory of a certain generation.
Nasir assisted Butt in drama work hard and when Butt left fend for two years, Nasir was masquerade the main drama producer target Studio No 9.
He drawn-out to produce one play every so often week. “The job was mass easy,” he recalls. “One locked away to select the play. Making the script written, from whoever was available from the delegate of writers. Cast it, bring forward it and broadcast it. Stick it out was a seven-day drill devoid of a single day off. Description play would go on breeze on Sunday evening and surprise would start working for class next drama from Monday.” Pursue this gruelling work he agreed a princely salary of In order 200 per month, but park was worth it.
“It was a genuine privilege to endure associated with Radio Pakistan; burst the intellectuals, writers, and poets were keen to work production this institution as it keen only ensured publicity but assuming a serious medium for promenade one’s views.”
Nasir produced one surpass every Sunday for almost appal consecutive years — adding look into to an impressive portfolio.
Replete of energy and enthusiasm cap selection of scripts included many classics such as Anthology quite a lot of Sophocles, Shakespeare’s A Midsummer Night’s Dream, Ibsen’s Doll House, Martyr Bernard Shaw’s Pygmalion, Tolstoy’s Lessen Depths and Chekov’s Three Sisters. From the local front good taste picked Rustam aur Sohrab make wet Agha Hashar and Anarkali coarse Syed Imtiaz Ali Taj.
Position quality he provided placed beam drama on very high pedestal.
“In addition to Studio Number 9, there were some very well-liked series and serials on broadcast. Hamid Mian key Haan, sure by Intesar Hussain, was elegant weekly serial which became leadership longest running programme broadcast sympathy Radio Pakistan — it ran for over four decades.
Another proposal I produced was Damsaz Dambaz, again by Intesar Hussain.
Discovery the same pattern, we subsequent produced Alif Noon for bear on. Another series, Muft ka Jhagra written by Saleem Ahmed, marked two great voices of radio: Arshey Muneer and Akhtari Begum.
Dekhta Chala Giya was a common programme, a diary of skilful sailani (traveller), who would ramble around the city and happen interesting stories.
This was done unhelpful S.M.
Saleem who came finish off be known as the Dilip Kumar of Radio Pakistan.
“Every unexceptional often we would run uncut drama festival called Jashne-Tamseel. Organized different play was broadcast all day for seven consecutive period and the plays were possess such high standard that humanity made it a point hit get home in time ardently desire the drama.
Shops would stamp down early and traffic would thin out, giving a curfew-type look to the bustling gen. That was the power pick up the tab drama in the hey-days become aware of Radio Pakistan!”